This abstract image was to draw attention to the new life possible in a less active part of the existing town of Northampton as a result of a new pedestrian link proposed to better connect the station to the city centre.
The image was intended to evoke the night lights on the streets from above the town. The street pattern was clearly expressed to allow some chance at orientaton when labelled.
The drawing was made in pencil and light watercolour washes on white paper, and then digitally inverted in photoshop.
NH www.nickhirst.co.uk
A selection of architectural drawings, sketches and illustrations mixed in with some of the best work of other artists that I have come across over the last 15 years, in the UK and overseas. more images at www.nickhirst.co.uk NH/2013
Friday, 28 June 2013
Construction Site by Terence Cuneo
Terence Cuneo was a famous illustrator whose work I'm always delighted to come across. Trained at the Slade, he was renowned for his railway subjects, and was appointed official painter to the Queen in 1953.
There are many examples of his work to be found in various compilations of railway posters of the SE of England. This image particularly appeals - the unorthadox angle gives a lot more interest to a complex subject and a great sense of intrusion.
Have a look at www.terencecuneo.co.uk for more examples of his work.
NH www.nickhirst.co.uk
Door Latch at Goddards, Surrey by Lutyens
A study of a very simple door latch by Lutyens at Goddards, his house hidden in the North Downs at Abinger Hammer, Surrey.
Hosted by The Lutyens Trust, I was given the chance to spend a few days studying and drawing the house whilst staying. This door had an elegant simplicity. The challenge was to find a way in one drawing of illustrating a section, and the two opposite door elevations. I find this quite a pleasing composition.
Pencil on cartridge paper, sketchbook.
NH www.nickhirst.co.uk
Hosted by The Lutyens Trust, I was given the chance to spend a few days studying and drawing the house whilst staying. This door had an elegant simplicity. The challenge was to find a way in one drawing of illustrating a section, and the two opposite door elevations. I find this quite a pleasing composition.
Pencil on cartridge paper, sketchbook.
NH www.nickhirst.co.uk
Lime Kilns, Staffordshire
Sketches of old and new lime kilns in Staffordshire. The top image shows the remains of the original brickwork lime kilns, whilst the lower image shows a contemporary lime kiln that has been constructed on the same site, pleasingly to assist in the repair and conservation work of the original brickwork structures.
Taken from the SPAB Sketchbooks. Find out more about the SPAB and its work conserving historic buildings at www.spab.org.uk
NH www.nickhirst.co.uk
Taken from the SPAB Sketchbooks. Find out more about the SPAB and its work conserving historic buildings at www.spab.org.uk
NH www.nickhirst.co.uk
Side Aisle, Canterbury Cathedral, UK
Drawn in watercolour, this sketch was made in situ, and then left to dry in the sun outside.
Whilst this approach takes a bit of confidence in getting the lines right first time, there is a nice effect when there is no layer of pencil drawing beneath.
Painted on Cream DR Mounting Board.
NH www.nickhirst.co.uk
Whilst this approach takes a bit of confidence in getting the lines right first time, there is a nice effect when there is no layer of pencil drawing beneath.
Painted on Cream DR Mounting Board.
NH www.nickhirst.co.uk
Albury Church, nr Guildford
Taken from a sketchbook from the SPAB Lethaby Scholarship in 2000. Having spent some time recording the building, we then had some time working on the interior with the conservation team.
Pencil on Cream Cartridge Paper.
NH www.nickhirst.co.uk
Courtyard in the Castle, Tripoli
This drawing was made whilst as a guest of the head of the Libyan Department of Antiquities, Dr Salah in 2011, whilst working in Libya. The castle looks down over Green Square in Tripoli.
A wonderful series of spaces exist within the castle, courtyards, open corridors, gardens and cloisters.
The usual excuses for the unfinished nature of the drawing - limited time, inqusitive reisdents etc.
Drawn on Ivory Daler Rowney Mounting Board.
NH www.nickhirst.co.uk
A wonderful series of spaces exist within the castle, courtyards, open corridors, gardens and cloisters.
The usual excuses for the unfinished nature of the drawing - limited time, inqusitive reisdents etc.
Drawn on Ivory Daler Rowney Mounting Board.
NH www.nickhirst.co.uk
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